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KILN II [2013-14/17]

bass clarinet, contrabass & percussion [ 36' ]

commissioned by Ensemble et cetera

revised in 2017 for ELISION Ensemble & Line Upon Line as part of KILN



4/22/2018 - ELISION Ensemble. Melba Hall. Melbourne Conservatorium of Music. Melbourne, Australia.

1/9/2015 - ensemble et cetera. UC Santa Barbera.

10/10/2014 - ensemble et cetera. Conrad Prebys Music Center. UCSD. San Diego, CA 



KILN II attempts to impart the form taken by molten materials after they have fused together and ossified into a solid object. The piece is about the forces that impose influence upon objects and jettison them into assemblages and relations with other objects. The work seeks to expose a sonic granularity, a withdrawn sonic vitality, residing not only within objects, but also within the very friction created by their collision. 
The work is based on ceramic artist Nishida Jun's sculpture Zetsu #8, in which various materials are allowed to melt into each other and assume varied states of alteration within the extreme conditions of the kiln. With Jun's work, the formed object carries traces of the forces incubated within the kiln; the effects of time, temperature and pressure are acutely present upon and embedded within the work. 
KILN II ventures to create a sonic form similar to Jun's sculpture. Elements are kept distinct while melting into each other; phrases are left incomplete or are interrupted by massive intrusions of other material, yet there is an undeniable continuity permeating the entire piece; the instruments retain distinct voices while occasionally being caught in each others' orbit; the textures at play within the piece are both anemic and highly detailed. Just as within Jun's kiln, time, pressure and the collision of forces press down upon the materials in a quiet, devastating turbulence. 


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